En Avance celebrates 24 years of timeless elegance

March 24 marked the 24th anniversary of En Avance one of the most long-lived multi brand stores in Miami. Its story, as many other boutiques around the world, started with the vision and impeccable taste of Karen Quinones, an arbiter of taste.

En Avance is an all-encompassing lifestyle boutique, the ones that you enter to be inspired, when you get that shopping itch, you know when you get the 3 pm sugar crave and you don’t want Starbucks, but Laduree. It’s like a moodboard, you enter a world of style, elegance, permeated by chic, Assouline books and Maison Francis Kurdjian fine fragrances included.

The boutique has the Karen imprint allover it from Fornasetti to the Vintner’s daughter couture face oil, from Sacai to Philosophy, from Racil to Donna Karan’s label Urban Zen. The boutique tells a story with each piece hand-picked by Karen who travels extensively during fashion month to the fashion capitals and off season to places and culturally absorbs habits, colors, artisanal techniques and blends everything in a most exquisite high-brow low of taste.

The store is everything I preach in the book: slow fashion, quality, research, chic, elegant, lifestyle, fun, intellectual stimulation, understated luxury, conversation, style. And I am saying this not to flatter myself, but an another way of showing how Italian style can be lived anywhere and it’s not acquired through an hedonistic treadmill of “look at me look at me how perfectly photo-shopped I am, I look like everyone else and you should too”, but by sober normality based on taste, culture, education, curiosity that become habits. Karen is all that, her vitality, profound knowledge and exquisite sense of style perspire in every inch of her boutique.

“Luxury resides in the mind when it revolves around quality not quantity. Time is the only element in your life that is luxurious when it abounds.”
— The Cheat Sheet of Italian Style, page 49

In the occasion of the anniversary celebration, and in true En Avance style, the dynamic duo behind Arje’ was the guest of honor presenting Chapter 1 of their collection. I got to chat with them a bit as it seemed we were drawn to each other from the moment I walked into the store. For Oliver and Bessie it’s all about the origin, the essence of everything, where quality originates. They have taken the engulfed fashion system into pieces and re-elaborated the puzzle into a new formula and reinterpretation of see-now-buy-now

There’s a strong element of fluidity, the collections are chapters, that follow a person’s life and adapt to the experience and the body like rainwater, pure modern luxury. They brought the fashion system back to one single principle relationship. Through the relationship with the manufacturers, built over the years, the have the fabrics produced in the color and nuances they choose for the chapter, and they commit to buy directly the quantity they will be producing and selling, skipping the phase of the sample production, which is at the same time a financial burden that can be avoided and commitment to reduce waste and make the product sustainable.

The cultivate the relationship with the stores and buyers who buy what they see, or “feel” in Arje' language, and sell their clients right away, cutting the wait time, and providing immediate esthetic remuneration. The same way I met Oliver and Bessie during the trunk show, many others have done it during the months of March and April. Instead of selling from a showroom at closed doors, with the trunkshow formula they interact with their ideal clientele, absorb ideas, styles, suggestions, tips, taste the pulse and take notes for the following chapter.

The collections are called chapters, you may have noticed, and not seasons, because it’s not about the weather or the climate, but about the relationship with your body, you change jobs, you move to a new city or country, you change marital status, you have a baby regardless of the seasons, what changes is the essence and with that your body and style evolve.

This idea of the partnership whether is with a vendor or with your own body, is fully reflected in En Avance where you go to build your wardrobe, not to mindlessly purchase to fill in a superficial gap.

The store is that place that shows how sustainability is chic, elegant, unique, sensual, modern. 

Paris and its (high) lights

Paris started as boring as it finished with the most glorious fashionable fireworks.

Everything was stiff until we got delightfully surprised by, wait for it:

Dries Van Noten and Alexander McQueen, Miu Miu and Stella McCartney.

Dries’ collection was like one of those gigantic Tashen coffee table books: such a good down the memory lane masterpiece that included the best casting of the season. Elegance and chic of the last 25 years condensed in his 100th runway show, those many good looks and models still relevant demonstrated, at least to me, that the desire of newness, the thirst for more, are only a made up social media reality show.

Alexander McQueen’s Sarah Burton once again spoke with nature. She is like the St. Francis of Assisi of fashion, from Scotland to Cornwall, she establishes a poetic conversation with nature at its most crude state. Last season she made a shipwreck into one of the most coveted evening gowns

Stella McCartney was happy tailoring, Faith-ful to her own roots.

Miu Miu closes the festivities covering a majestic staircase in purple faux fur making us want to update our foyer and some Prince moves even before the show started. After the show, if you don’t own a sort of headpiece you are a nobody in life. If you haven’t gotten the memo, the only trend you really need to be conscious of is: headpiece is the new black. You are welcome.

A few extra notes.

An element that all these collections have in common: none of the Insta-stars models were booked for the runway. This could be in between petty, I admit it, or a Gen X thing. They were not missed. 

Special mention goes to Chanel that never disappoints and this time catapulted everybody to the Moon and back.

If you haven’t gotten the memo, the only trend you really need to be conscious of is: headpiece is the new black. You are welcome.

It saddens me infinitely that I cannot mention anymore lanvin as one of the highlights of Paris and can't wait to see Alber Elbaz shine again. 

 

Trends alert:the struggle between dare or go home

Before indulging in the story that seems occupying the mouths of everyone in fashion 'trends to toss and those to adopt', I couldn't stop but thinking, do we even follow trends?

 

#theItalianway has a series of rules, it doesn’t matter the order, but there’s one snob little one that says: “we don’t follow trends, we set them.” And yes you may roll the eye and activate brow game, because it may sound ‘toff’, to say it with the Brits. Gotta warn you right now, I am upping the ante with the game and go #girlboss on you when it’s time to do the Italian style right.

 

As a rule of thumb, better known as the 1937's Laver's Law, a trend is daring before it becomes smart after which it becomes ridiculous and before it becomes daring again, fifty year should pass by. With social media the 50-year span becomes an overnight, all the rules are broken and welcome to the selfie generation.

Don’t be into trends, don’t make fashion own you, but you decide what you are, what you want to express by the way you dress and the way you live
— Gianni Versace

 

All you got to do in true Italian style, no matter what, is stay daring also known as foolish if you want to say it with the late Steve Job.  Foresee them, sniff them, embrace them, dare to adopt them while nobody does because too busy to follow the Instagram posts of the ‘social influencers’ or buying what fast fashion dinosaurs copied from runway novelty. That’s your best slow fashion moment.

 

You know what’s the next question I get all the time? ‘Are we not going to buy anything?’

 

There’s no reason to think that slow fashion is boring, ugly, looking old and smelling like moth balls. The first breath of Italian attitude you may need to take in is a tweak that switches from a compulsive buying mind into a mindful and conscious one.

Remember step n.7 of The Cheat Sheet of Italian Style reads

But first shop your closet

This happens after you have done an assessment, realized what’s YES and NO  and adjusted your wardrobe to a) your lifestyle b) in an Italian way c) got the hang of it. 

Buy less, choose well, make it last.
— Dame Vivienne Westwood

There's one movement that we will be focusing on this year and it's called slow fashion 

In this need to label everything, slow fashion is NOT a trend, is NOT about trends, but it's about:

  • sustainable and traceable sources
  • eco-friendly fabrics
  • non toxic dyes
  • transparency
  • fair labor and safe working conditions
  • employing of women and minorities
  • quality and made to last 
  • craftmanship and traditional techniques
  • hand-made
  • made in developed countries
  • reduction of CO or carbon footprint and general impact on the environment
  • connecting with the consumer
  • ideally donating to a charity
  • buying consciously and less, no mindless consumption
  • based on craftsmanship or tecniques passed from generation to generation
  • made of superlative materials 
  • upcycled, recycled or downcycled

What is it NOT about?

  • not knowing where the materials are made
  • short life expectancy of a single piece
  • incrementation of pollution
  • child or women labor
  • 'shadow' factories
  • violating intellectual properties
  • disposable products
  • meant to be cheap

When connecting all the dots above you realize that Made in Italy and the Italian way of dressing are conceptually it. 

In other words, the appeal of whatever has been seen on the runway and the rush of wanting to wear it now instead of waiting 6 months and then anyways who can afford it and I don't really care who made it and if 10 trees have been cut down to make it?

No, thank you. And sorry if this is not appealing to you or worst, if you think that sustainable, ethical are synonym with ugly. With any form of craftmanship, there are cycles and the cycles of fashion are like nature to be respected, like you can't  have March in December. 

Now, I'd like to know: are you with me? 

We'll work on a garment's #30wears and we'll try to figure out #whomademyclothes. There's a series of documentaries that will help us get acquainted to a slow time life wearing slow fashion.